Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
There is nothing quite like the countertenor voice for arousing a varied individual response, but if you are still unsure...
Reviewed by Tess Knighton in issue: 9/1989
During the final years of his life, Poulenc described his own personality, ‘What has often been praised as my charming...
Reviewed by Patrick O'Connor in issue: 4/1999
New World’s new disc collects four of Toch’s most vibrant and appealing orchestral scores. The earliest is the 1926 First...
Reviewed by Guy Rickards in issue: 10/2003
Vivaldi’s Op 2 contains 12 violin sonatas, and was originally released in an edition by the Venetian music publisher Antonio...
Reviewed by David Vickers in issue: 13/2004
This pioneering set of Gerontius has come up newly minted in these superbly engineered transfers taken from 78rpm masters, apart...
Reviewed by Alan Blyth in issue: 2/1994
Miss Potter's music draws much of its inspiration from the Cumbrian countryside which features in the love story of Beatrix...
Reviewed by Adrian Edwards in issue: 3/2007
This is the first release in Mendelssohn year to have come my way that truly adds to the festivities. It...
Reviewed by Harriet Smith in issue: 10/2009
Here’s another sumptuous instalment of Sir Simon Rattle’s Szymanowski cycle, showing that his rapport with his former Birmingham colleagues is...
Reviewed by Arnold Whittall in issue: 11/2006
Three viable recordings here, each with merit enough to justify purchase, and each with a short-coming to raise doubt. All...
Reviewed in issue 1/1989
Both these Ashkenazy recorded performances have stood the test of time, and both recordings were originally, first class, so that...
Reviewed by Ivan March in issue: 3/1987
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.