Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
An important recording‚ splendidly performed‚ so it’s a pity to begin with a complaint. Château de l’âme is a songcycle‚...
Reviewed in issue 13/2001
I am sure that many listeners, randomly hearing on the radio the slow movement of Hugh Aitken’s Aspen Concerto, would...
Reviewed by Michael Oliver in issue: 9/2000
The young American violinist Leila Josefowicz plays with thrilling verve and intensity. Her programme interestingly contrasts ‘serious’ virtuoso pieces, such...
Reviewed by DuncanDruce in issue: 2/1997
Kenneth Gilbert now adds to his impressive list of recordings of Bach's solo harpsichord music the Chromatic Fantasia and Fugue...
Reviewed by Nicholas Anderson in issue: 5/1991
Naxos apologises in the booklet for moments of distortion in the finale (something you’re only likely to read – rather...
Reviewed by Richard Osborne in issue: 2/2001
There is a Brucknerian glow to the sound in the opening of the Prelude, giving a reminder that the orchestra...
Reviewed by Edward Greenfield in issue: 11/1990
This enterprising recording offers for the first time all the vocal numbers of Sullivan’s debut comic opera. Complete dialogue and...
Reviewed by Andrew Lamb in issue: 11/1998
In the period between the two world wars, Walter Braunfels (1882-1954) was among the most widely performed of all living...
Reviewed by Michael Oliver in issue: 7/1994
This release of Rosalyn Tureck’s live traversal of Book 1 of Bach’s ‘48’ for BBC Radio 3 – spread across...
Reviewed by Tim Parry in issue: 3/2003
Is there a version of all the Rachmaninov Preludes that is completely satisfying? Moura Lympany’s 1951 account comes closer than...
Reviewed by Jeremy Nicholas in issue: 12/2005
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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