Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
This performance, from La Scala’s 1987 opening production, was almost the first operatic DVD ever to appear – in America...
Reviewed by mscott rohan in issue: 10/2004
“It makes criticism impertinent,” thought Peter Shaffer of the War Requiem, and for all Stravinsky’s grousing that any such criticism...
Reviewed by Peter Quantrill in issue: 1/2008
Bruckner’s mighty Eighth, the ne plus ultra of his achievement as a symphonist, took three years to make and a...
Reviewed by Richard Osborne in issue: 12/2009
Between them, Menahem Pressler and Antonio Meneses offer us a rare listening privilege, with playing that is at once intimate,...
Reviewed by Rob Cowan in issue: 8/2008
The appearance of Jessye Norman's Brahms Lieder selection on CD amplifies and enriches its already deeply satisfying thematic balance. This...
Reviewed by hfinch in issue: 5/1986
An attractive-looking idea. In reality, alas, this new British Composers offering serves up, with one or two notable exceptions, a...
Reviewed by Andrew Achenbach in issue: 8/1994
What first catches the eye is the listing of three 'unknown' pieces by Falla, which were not published until 34...
Reviewed by Lionel Salter in issue: 12/1990
These broadcast performances from the Barbican were much admired when the concerts were given in 2002-3. While appreciating that the...
Reviewed by Alan Blyth in issue: 11/2006
Iceland is a country of tremendous musical richness, as those who have followed at least in part the posthumous success...
Reviewed by Ivan Moody in issue: 11/2003
This is a rather variable release. I found myself wondering now many of the pieces played were actually a part...
Reviewed by James Methuen-Campbell in issue: 4/1989
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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