Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
When he reviewed the LPs of this recording of Bach's St Matthew Passion, TH pointed out that Karl Richter's approach...
Reviewed by Nicholas Anderson in issue: 2/1985
In discussing the original issue TH aptly commented that LPs of this kind do not usually make good continuous listening,...
Reviewed by Ivan March in issue: 9/1985
Prometeo is a challenge to the faculty of listening; at least part of the meaning of its subtitle, ''tragedia dell'ascolto'',...
Reviewed by Michael Oliver in issue: 12/1995
Alkan’s Sonata has been recorded several times before, most notably by Moray Welsh and Ronald Smith (APR), yet it has...
Reviewed by Jeremy Nicholas in issue: 11/2008
James Judd directs a hearty, sensibly paced account of Enter Spring, Bridge’s most uninhibited achievement and one of the pinnacles...
Reviewed by Andrew Achenbach in issue: 8/2004
The cult that exists around the memory of New York street musician Moondog – real name Louis Hardin – hides...
Reviewed by Philip_Clark in issue: 6/2007
Between 1817 and his death in 1833, Hérold produced no fewer than 18 works for the Opéra-Comique, of which the...
Reviewed by Alan Blyth in issue: 6/2007
This new recording of trio sonatas by Bach brings together the four chamber works in this form customarily attributed to...
Reviewed by Nicholas Anderson in issue: 6/1986
DVD’s second Ring cycle deserves a warm welcome, however qualified. None of the four video-recorded versions (five, counting the hard-to-find...
Reviewed by mscott rohan in issue: 1/2003
It so happened that I heard this recording of Mozart's Symphony No. 31 on the same day as Haydn's No....
Reviewed by Edward Greenfield in issue: 3/1990
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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