Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
There are other middle-of-the-road recordings of all these winsome works, but in none does the recorder sound more fleet of...
Reviewed by John Duarte in issue: 6/2000
Der Evangelimann (''The Evangelist''; 1895) is the work by which Wilhelm Kienzl is now almost exclusively remembered. Its original success...
Reviewed by Andrew Lamb in issue: 9/1989
Dmitri Shostakovich Jr gives a much more likeable performance of his grandfatherhs Piano Concerto No. 2 than he did of...
Reviewed by Michael Oliver in issue: 5/1986
There were times, listening to this record, when I thought I ought to be enjoying it more than I was;...
Reviewed by Richard Osborne in issue: 8/1998
The cycle of Mozart piano sonatas given in London's Wigmore Hall a year or or so ago by Mitsuko Uchida...
Reviewed by rgolding in issue: 7/1984
Martin Fröst's style of playing is well suited to Weber: he has a clear, fresh tone and fingers undefeated by...
Reviewed by John Warrack in issue: 2/2007
When the colourful Arthurian opera Merlin appeared on disc nearly three years ago (12/00), it came as a surprise even...
Reviewed by Edward Greenfield in issue: 8/2003
In writing his innovatory 23 concertos for groups of three to six mixed soloists and basso continuo, Vivaldi anticipated a...
Reviewed by John Duarte in issue: 3/1989
Petri Sakari and the Iceland orchestra made a very positive impression in their earlier Sibelius recording of Pelleas, the King...
Reviewed by Robert Layton in issue: 1/1999
Never mind that few of the composers represented here will be generally familiar to organ lovers outside Sweden, I can...
Reviewed by Marc Rochester in issue: 7/2010
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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