Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
The way of the Cross has never been more gently depicted than in the opening of this Stabat mater. The...
Reviewed in issue 5/1994
In spite of the fact that it was recorded almost 40 years ago, this remains a competitive version. Though three...
Reviewed by Alan Blyth in issue: 9/1996
No sooner does Naxos commence one immense project (the complete piano music of Liszt, for example) than it starts another....
Reviewed by Bryce Morrison in issue: 2/2000
Ysaÿe’s own music was all but engulfed by his performing career and the only composition of note that has held...
Reviewed by Ivan March in issue: 10/2011
I can’t recall ever having enjoyed a recording of the late, gnomic Requiem Canticles quite as much as this one:...
Reviewed by Rob Cowan in issue: 4/2009
Though formed as long ago as 1994, when the members were students of the Royal College of Music, the Belcea...
Reviewed by DuncanDruce in issue: 4/2001
One advantage this new issue has over the two with James Galway as soloist is that it has an extra...
Reviewed in issue 9/1986
These Royal Festival Hall performances are classic examples of live recordings that paraxodically generate less excitement than one would expect...
Reviewed by David Fanning in issue: 7/2011
Having already given us a scintillating version of Delius’s 1907 Piano Concerto with Vernon Handley and the RLPO (CfP, 11/95R),...
Reviewed by Andrew Achenbach in issue: 2/2006
Whereas the recent disc by the choir of Wells Cathedral, ‘Hills of the North, rejoice!’ (Hyperion, 12/02), led with one...
Reviewed by John Steane in issue: 5/2003
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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