Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
With a premiere at the Proms and the release of this, the second Naxos disc devoted to her music, Judith...
Reviewed by Marc Rochester in issue: 13/2011
The problematic performance here is the Kaddish Symphony (1963). As the booklet-notes remind us, Bernstein went through considerable torment to...
Reviewed by Philip_Clark in issue: 8/2008
This is a very successful recital, recorded 20 years ago but well worth this CD transfer. Tamas Vasary has the...
Reviewed by Christopher Headington in issue: 1/1991
So much is enthralling in this superbly executed recital that it is hard to know where to begin. In some...
Reviewed by Alan Blyth in issue: 7/2000
The Hartley Piano Trio do well by Spohr’s demanding Third Trio, in A minor, keeping everything light and amiable, emphasizing...
Reviewed by John Warrack in issue: 1/1996
Hearing Leon Botstein and the LPO dancing their way through the savagely cut and extensively reorchestrated finale of Bruckner’s epic...
Reviewed by Richard Osborne in issue: 1/1999
Mozart's Divertimento, K287, is scored for two violins, viola, two horns and bass, a combination which cannot be easy to...
Reviewed in issue 11/1989
As Jarvi so wholeheartedly reminds us, Bartok was never more self-indulgently effusive with his orchestral skills than in The wooden...
Reviewed by Edward Seckerson in issue: 10/1991
Although Britten talked excitedly while composing Paul Bunyan about a Broadway production, it was in fact carefully written for the...
Reviewed by Michael Oliver in issue: 2/2000
Players of the flute (whether traverse or fipple) and lute certainly played together in pre-classical times, and the lute was...
Reviewed by John Duarte in issue: 5/1988
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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