Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
I reviewed this performance in some detail last month. It is the only CD version of the Fourth available at...
Reviewed by Richard Osborne in issue: 7/1984
Both of these well-produced discs would make near-ideal introductions to this versatile composer’s output, featuring three of his finest orchestral...
Reviewed by Guy Rickards in issue: 10/2003
An unusual but fascinating format for reissuing historical recordings; I can thoroughly recommend these discs as an easy way of...
Reviewed by DuncanDruce in issue: 9/2003
So long as the listed alternative versions are in the catalogue, this new issue will be uncompetitive. Rozhdestvensky’s superlative account...
Reviewed in issue 5/1997
Volume 5 brings us to the eight symphonies which date from 1775–83, not a long timespan but almost one quarter...
Reviewed by John Duarte in issue: 4/1988
The playing of Kyung-Wha Chung—sweet, sentient and sharply defined—almost persuaded me again of the violin's adapted and adopted role in...
Reviewed by hfinch in issue: 1/1995
Right from the first, goose-stepping bars, the lower brass of Kuchar’s Ukrainian orchestra help to make this an often uncompromising...
Reviewed in issue 1/1996
Bernstein, Blitzstein Sondheim and Weill are a good quartet to explore in a recital. The connections between the four are...
Reviewed by Patrick O'Connor in issue: 12/1994
‘Blandly brilliant’ might seem something of a contradiction in terms, and yet that is how I would describe this particular...
Reviewed in issue 5/1996
It looks as though news of the death of the symphony has been greatly exaggerated. Symphonies are appearing at a...
Reviewed by Stephen Johnson in issue: 1/2000
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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