Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Few composers have gone their way with a more resolute indifference to popular appeal than Busoni. ‘A kind of musical...
Reviewed in issue 4/2002
The American numbers here remind me of Michael Bennett’s 1978 musical Ballroom, set in a seedy Bronx dance hall. What...
Reviewed by Andrew Lamb in issue: 4/2001
“Nothing very special... a simple bagatelle to amuse you in moments of extreme boredom”, was Haydn’s own offhand description of...
Reviewed by Richard Wigmore in issue: 1/1996
So what’s new? Perlman has recorded all of these works at least once before, and these very recordings of the...
Reviewed by Edward Greenfield in issue: 7/1997
Whereas the C minor and B flat major Quartets were recorded at sessions in a Swiss church, the A minor...
Reviewed by Joan Chissell in issue: 2/1994
The music of Michel Blavet, a younger contemporary of Leclair and Rameau, has received scant attention by recording companies, so...
Reviewed by Nicholas Anderson in issue: 8/1986
The German lutenist Joachim Held has since 1996 been engaged in recording a survey of Renaissance and Baroque solo repertoire....
Reviewed by Julie Anne Sadie in issue: 13/2010
Some 40 years separate the intimately personal miniatures opening this disc from the F sharp minor Sonata with which Ax...
Reviewed by Joan Chissell in issue: 6/1996
One of the first successes on RCA's Catalyst label was James MacMillan's percussion concerto for Evelyn Glennie, Veni, veni Emmanuel...
Reviewed in issue 5/1995
Like such modern masters as Tippett, Carter and Messiaen, all born in the early years of this century, Giacinto Scelsi...
Reviewed by Arnold Whittall in issue: 9/1990
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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