Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
There is very little to praise in this unfortunate issue. Safiulin, a name new to me, has a grey, opaque...
Reviewed by Alan Blyth in issue: 1/1996
The sprightly tempo and clean semiquavers of the famous Vivaldi Gloria give instant reassurance just where it is needed. The...
Reviewed in issue 7/1998
Initial impressions are misleading: a comfortably crescendoing string chord followed by simple keyboard chiming, a bit like a fragment from...
Reviewed in issue 11/1998
Back in 1996 Wispelwey and Giacometti recorded transcriptions of Schubert’s three “little” violin sonatas (D384, 385, 408). I remember not...
Reviewed by DuncanDruce in issue: 4/2010
This is a delicious record. I have long hoped that EMI would reissue and combine Lambert's two separate recordings of...
Reviewed in issue 10/1988
Most of these pieces have an appeal of their own though I’m not sure they work as a programme. Schnittke’s...
Reviewed by Rob Cowan in issue: 10/2004
Michel Schwalbe is probably best known as the distinguished First Concertmaster of the Berlin Philharmonic during the years 1957-86, the...
Reviewed by Richard Osborne in issue: 7/1999
Marriner has previously recorded Metamorphosen with his Academy of St Martin in the Fields for Argo in 1969. This new...
Reviewed in issue 6/1989
It is easy to dismiss Adriana Lecouvreur as a hopelessly old-fashioned piece of kitsch melodrama (although written in 1902 it...
Reviewed by Michael Oliver in issue: 10/1987
This new Hyperion account of Peteris Vasks’s Distant Light swells the number of recordings it has garnered to five, an...
Reviewed by Andrew Achenbach in issue: 11/2005
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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