Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
In Elysian Fields Schumann must be deeply gratified that long-neglected choral works of his later years are one by one...
Reviewed by Joan Chissell in issue: 6/1989
Boulez’s piano sonatas boast a number of complete recordings, each with something distinctive to offer. Equally, I was struck while...
Reviewed by Fabrice Fitch in issue: 5/2005
Leonardo de Lisi is a discovery, a lyric tenor (though capable of a ringing forte, as he slightly too often...
Reviewed by Michael Oliver in issue: 9/1997
There can be little doubt that the one digital recording included here – that of the First Concerto – is...
Reviewed in issue 12/1996
Here, surely, is a classic recording, one of calibre and status for all time. Rarely can a great artist have...
Reviewed by Bryce Morrison in issue: 2/1997
David Fanning wrote of this duo's disc of the two Prokofiev Violin Sonatas (chandos ABRD1132, 10/85) that ''comparisons with Perlman...
Reviewed in issue 7/1987
A glance in Grove will reveal, if you didn't know it already, that Paganini wrote a great deal of guitar...
Reviewed by John Duarte in issue: 4/1994
This is an important disc, partly because it restores a major Carter work to the catalogue, partly for its useful...
Reviewed by Arnold Whittall in issue: 12/1994
Following Guridi (Naxos, 6/03) and Sorozábal (Claves, 7/03), Jesús Arámbarri (1902-60) becomes my third Basque composer in quick succession. He...
Reviewed by Andrew Lamb in issue: 11/2003
This fine new recording brings yet another neglected Rossini opera back into view. He composed Adelaide di Borgogna for Rome...
Reviewed by Richard Osborne in issue: 3/2007
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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