Will today’s solutions prove of lasting value?
- Tuesday, September 1, 2020
From virtual concerts to online education, could such creative ideas have a place post-pandemic?
Blogs
Why I refuse to accept the current state of (non) play
- Wednesday, August 19, 2020
Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed...
The Listening Room: Episode 100 (10.8.20)
- Thursday, August 6, 2020
Magical Franck from Verbier, Jean-Efflam Bavouzet plays Beethoven's Fourth Piano Concerto, John Wilson's ravishing Respighi and Elgar from Elīna Garanča and Daniel Barenboim, plus a clutch of...
7 Notes in 7 Days at 7pm
- Friday, July 24, 2020
Maria Marchant introduces her novel live-streamed concert series, featuring new works written for the piano, premiered every Monday
The arts needs to address its environmental impact: here's how
- Tuesday, July 21, 2020
Ensemble Correspondances has looked at how to make its performing and touring more sustainable - and wants to encourage others to do the same
Recognising the value of music – for everyone
- Friday, July 17, 2020
Concerts and operas watchable at the click of a button serves us audiences well - but we must make sure it serves artists too
A 21st century Requiem: Why did I write a work I didn't want to write?
- Wednesday, July 15, 2020
Ian Venables reflects upon his largest scale work to date and discusses how an unlikely commission took him in a creative direction that he never thought possible
Daniel Tong blog
- Wednesday, July 15, 2020
Daniel Tong reflects on Mendelssohn's masterpiece, which remains as popular today as the day it was written
Resurrecting Howells's extraordinary piano works
- Friday, July 10, 2020
Pianist Matthew Schellhorn's new recording of unknown piano works by Herbert Howells – released today – has been a voyage of discovery not unlike that of premiering brand new music
Gramophone's The Listening Room: Episode 99
- Friday, July 10, 2020
Augustin Hadelich plays Dvořák, the Akademie für Alte Musik Berlin plays CPE Bach, James Gilchrist sings Jonathan Dove, and we've pre-release tracks by Bertrand Chamayou, Khatia Buniatishvili,...
The return of the Operatic Fantasy
- Wednesday, July 1, 2020
Adrian Bradbury charts the history of the art of the operatic fantasy and champions the revival of a 'lost' tradition
Gramophone's The Listening Room: Episode 98
- Tuesday, June 23, 2020
Opera arias from Aleksandra Kurzak, Bach from Benjamin Appl and Reinhard Goebel, Thomas Adès from Pekka Kuusisto and Aurora Orchestra and Jonas Kaufmann's Otello, plus some pre-release tracks ...
If we value music, how should we express that?
- Friday, June 12, 2020
With so much music available for free, it's important to remember it costs money to make
What role can music play in eradicating prejudice?
- Thursday, June 11, 2020
Let us listen - and shine a light on the shared nature of humanity
Audience and musicians reunited as Copenhagen’s Opera House reopens
- Monday, June 8, 2020
The Royal Danish Opera becomes the first in Europe to welcome orchestra, chorus, soloists and audiences back into its theatre
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